Відео

l'inno alla gioia di beethoven battute 25 e seguenti

00:17

00:30

Might be one of Brahms' worst sets of variations for me. There's almost nothing here.

Sopranos have to have infinite breath or something

Bravo

6:57 POV: two consecutive world cup group stage exits

It's clear Messiaen was his teacher

Thank you. For some, that opening section, with its blissfully unfolding oboe melody, is the most beautiful starts to any work Brahms ever wrote. (Both formally, and in spirit, it is also close to the opening the Violin Concerto's slow movement, with that combination of lengthy mood-setting oboe melody, principally wind-accompanied, finally giving way to the main song - of the violin in one case, the choir in the other: the two works are less than two years apart...)

Ah if Mozart had lived longer! He would have written more lieder ( ehr... his actual outputs should be revaluated, thanks to Mondon!). I imagine a concert in 1820 , he and young Franz Schubert enchanting Viennese public during a concert.....A dream unfortunately

7

I like a lot of Benjamin but come on, I can't stand this "no time signature" thing. It's just impractical!

tenho 13 anos e vou tocar esta musica

I guess no-one notice a picture of Bach in the Bottom right corner!😂 1:19

고전시대 푸가 바흐느낌 좋타!

Good Lord, this rendition really SWINGS. Now I'm wondering if I really prefer the more frequently played Piano Quartet #1. In other words, I may have previously underestimated this piece, and that's the very highest compliment I can give to a group of musicians.

I have no idea what's going on but I'm pretty sure being uncomfortable because of the music is intended, so great job making me extremely confused and scared

Well I get it!. Yep. It’s rhythm focus to begin so he plays with it. But the harmony, it’s not like…. It is t exactly serialism or the atonal. Harmonic ambiguity let’s go with that. It was some tone tonic tonzized in there some place but he has chords that are real chords and he made them from scratch due to him knowing how and why the chord so he pulls a holdsworth, guitar, made some big cluster poly deals probably. I’ve not once read a music note or theory none the terms I’ve just implied as a quantum linguist professor and so I thought I’d try out my technique here lol good sonata. For what I’m listening to and heard this month, he right in there with Prokofiev’s piano sonata No.6. Fauré, etudes bout the third one he shreds or we’ll the player of the interpretation for … art sound performance art no ugh for goodness sake

Dunstable's genius has a unique and tender beauty to it.

Something in me changed the first time I heard this

El final es hermoso y celestial

Paula bell scat?

Thank you so much, I would have spent at least an hour searching this song!

This piece of music moves me like no other. ....

Amazing - have never heard this before. Was just listening to Full Fathom Five by Sub Sub - so completely different, yet equally amazing!

Never heard anything so beautiful!

2:25

I don't see any evidence that Beethoven took the Ode to Joy theme from this piece. All I could find on the web was "Well they sound similar, idk lol, maybe." All Mozart did here was go up the major scale, and then down, repeating on the highest and lowest keys. The Ode to Joy happens to open the same way. That is some SERIOUSLY flimsy evidence that it was copied. That's like saying the Jaws theme was stolen from "Fur Elise" because they both repeat the same semitone change. Nearly every piece in existence goes up a scale, and then back down. Most Mozart pieces are on a major scale. That's half of the work already! Now, out of the 600+ pieces Mozart writes, one of them happens to repeat the highest and lowest notes twice once they are reached.

He did not know how to create music.

Wagner was very high when he wrote this.

based Hurel

There's a curious difference between what the performers sing and the displayed score at Deposuit potentes de sede. On the last note of the phrase, the tenor sings a D flat rather than the C written, creating a major 7th with the soprano rather than the written bare octave. That's at about 4m00s.

Love it

Just the right length.

Bruh i remember another soprano and I having to stagger and exchange tatum at the endddddd

Alban Alban? Berg? Oh so he done out together his own quartet? Since when. Since he ain’t alive bruh? These dude oh yeah u know he probably did yeah he was around putting down in Alban berg band. So he conducted this or played and conduct? I’ll do my research and be fun learning quest.

Hey man, you not put nothing in the description! If you want to be the worlds greatest classical music score videos channel have to do as much as the others. They talking bout, each motifs feel and origin, and the music theory terminology for the sounds and harmony and piece that can be. They give back ground on the Composer and some idea how the piece was received and it’s significants now if it has any ever. I just want you to have a fair shot at being the Music classical video score Champion and and most prolific knowledge in that field on the given subject, music adjective revered weird 🎉

Belissimo

So fast but you didnt make for #1

The guy that wrote the song should have known they were blue lotuses and not poppy flowers.

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Mozart has been my constant companion for the last fifty years (I am 72). He is always fresh and new, and I know a great deal of his music by heart. His feet are planted firmly in this earth of ours, and his head is in the universe. I cannot imagine my life without him.

Wtf is wrong with tempo..?why??

L'auteur est des poèmes est Charkes Van Lerberghe, dont Maeterlinck, son ami, disait qu'il devrait être connu à sa place!

5:04 Might be the best music ever.

nice song

Mesmo a letra do ode à alegria da sinfonia 9 de Beethoven foi tirada de um poema do maior poeta alemão Schiller logo vemos que Mozart foi sempre o maior em tudo

Es un milagro de Dios el 2° mov.

Pebderecki is The best

I love this comment section. I must add that the breathtakingly bare scale rises in the Fantasia return in the Trio (I suppose here it is called "Alternativo" interestingly). It appears elsewhere as well. The unaccompanied scale might be deemed the uniting motif or concept of the work.